Book Chapter

"Chapter 13. Proved foundations with pentatonic inflections: 'Longing for Home', the first art song of Huang Zi and Wei Hanzhang," in The Art Song in East Asia and Australia, Edited By Alison McQueen Tokita and Joys H. Y. Cheung, Routledge, 2023. 

Articles

"Crossing the Bridge – The Story of the Class of ’78 and the Emergence of New Music in China," World New Music Magazine, 28(2018):4-15.

Presentations

"Ma Sicong’s 'Suiyuan Suite' (内蒙组曲): A Negotiated Authenticity". Barbarian Pipes and Strings Reconsidered: Negotiating Authenticity in the Musics of China—Transcultural Perspectives. University of Heidelberg; Heidelberg, Germany. 2023. 

"What is Chinese about Chinese Music? Examples Before and After 1978". Contrasts and Convergence in Chinese Music: The 3rd International Conference on Contemporary Studies of Chinese Music in a Global Perspective (碰撞与交汇：全球视野下的中国音乐当代研究国际学术研讨会). Beijing, China. 2023. 

"Proved Foundations with Pentatonic Inflections: 'Longing for Home,' the First Art Song of Huang Zi and Wei Hanzhang". Musics of East Asia (MEA) 7th Symposium. Online conference co-organized and co-hosted by the School of Languages (Monash University), Royal Holloway University of London, Graduate Institute of Ethnomusicology (National Taiwan Normal University), Department of Music Education (Nara University of Education), Department of Music (University of Hong Kong), College of General Education (Kookmin University) and World Music Center Cultural Foundation Korea. 2022.

"'We have already torn down the bridge behind us': The 1947 Experimental Works Concert of Tan Xiaolin and His Students". Academic Symposium on the Formation and Development of Chinese Modern and Contemporary Theoretical Composition Systems (中国现当代作曲理论体系形成与发展研究学术研讨会). Shanghai, China. 2019.

"'In Search of a Way to Survive'— Looking at Tan Xiaolin’s Students’ 1947 Concert of Experimental Works from the Perspective of Shanghai’s Pre-liberation Culture". Contrasts and Collisions: Contemporary Research on Chinese Music: CHIME 22 (对比与碰撞—中国音乐当代研究). Central Conservatory of Music, Beijing, China. 2019.